A tall figure, wrapped from head to foot in a cloak, passed slowly up the aisle. But light and cautious though the footstep, it woke a low, hollow, ominous echo, that seemed more than the step itself to disturb the sanctity of the place. It paused opposite to a confessional, which was but dimly visible through the shadows around it. And then there emerged timidly a female form; and a soft voice whispered "It is thou, Fonseca!"

"Hist!" was the answer; "he waits without. Be quick; speak not--come."

Beatriz recoiled in surprise and alarm at the voice of a stranger; but the man, seizing her by the hand, drew her hastily from the chapel, and hurried her across the garden, through a small postern door, which stood ajar, into an obscure street bordering the convent wall. Here stood the expectant porter, with a bundle in his hand, which he opened, and took thence a long cloak, such as the women of middling rank in Madrid wore in the winter season, with the customary mantilla or veil. With these, still without speaking, the stranger hastily shrouded the form of the novice, and once more hurried her on till about a hundred yards from the garden gate be came to a carriage, into which he lifted Beatriz, whispered a few words to the porter, seated himself by the side of the novice, and the vehicle drove rapidly away.

It was some moments before Beatriz could sufficiently recover from her first agitation and terror, to feel alive to all the strangeness of her situation. She was alone with a stranger; where was Fonseca? She turned towards her companion.

"Who art thou?" she said, "whither art thou leading me-and why--"

"Why is not Don Martin by thy side? Pardon me, senora: I have a billet for thee from Fonseca; in a few minutes thou wilt know all."

At this time the vehicle came suddenly in the midst of a train of footmen and equipages that choked up the way. There was a brilliant entertainment at the French embassy; and thither flocked, all the rank and chivalry of Madrid. Calderon drew down the blind and hastily enjoined silence on Beatriz. It was some minutes before the driver extricated himself from the throng; and then, as if to make amends for the delay, he put his horses to their full speed, and carefully selected the most obscure and solitary thoroughfares. At length, the carriage entered the range of suburbs which still at this day the traveller passes on his road from Madrid to France. The horses stopped before a lonely house that stood a little apart from the road, and which from the fashion of its architecture appeared of considerable antiquity. The stranger descended and knocked twice at the door: it was opened by an old man, whose exaggerated features, bended frame, and long beard, proclaimed him of the race of Israel. After a short and whispered parley, the stranger returned to Beatriz, gravely assisted her from the carriage, and, leading her across the threshold, and up a flight of rude stairs, dimly lighted, entered a chamber richly furnished. The walls were hung with stuffs of gorgeous colouring and elaborate design. Pedestals of the whitest marble placed at each corner of the room supported candelabra of silver. The sofas and couches were of the heavy but sumptuous fashion which then prevailed in the palaces of France and Spain; and of which Venice (the true model of the barbaric decorations with which Louis the Fourteenth corrupted the taste of Paris) was probably the original inventor. In an alcove, beneath a silken canopy, was prepared a table, laden with wines, fruits, and viands; and altogether the elegance and luxury that characterised the apartment were in strong and strange contrast with the half-ruined exterior of the abode, the gloomy and rude approach to the chamber, and the mean and servile aspect of the Jew, who stood, or rather cowered by the door, as if waiting for further orders. With a wave of the hand the stranger dismissed the Israelite; and then, approaching Beatriz, presented to her Fonseca's letter.

As with an enchanting mixture of modesty and eagerness Beatriz, half averting her face, bent over the well-known characters, Calderon gazed upon her with a scrutinising and curious eye.

The courtier was not, in this instance, altogether the villain that from outward appearances the reader may have deemed him. His plan was this: he had resolved on compliance with the wishes of the prince--his safety rested on that compliance. But Fonseca was not to be sacrificed without reserve. Profoundly despising womankind, and firmly persuaded of their constitutional treachery and deceit, Calderon could not believe the actress that angel of light and purity which she seemed to the enamoured Fonseca. He had resolved to subject her to the ordeal of the prince's addresses. If she fell, should he not save his friend from being the dupe of an artful intriguante?--should he not deserve the thanks of Don Martin for the very temptation to which Beatriz was now to be submitted? If he could convince Fonseca of her falsehood, he should stand acquitted to his friend, while he should have secured his interest with the prince. But if, on the other hand, Beatriz came spotless through the trial; if the prince, stung by her obstinate virtue, should menace to sink courtship into violence, Calderon knew that it would not be in the first or second interview that the novice would have any real danger to apprehend; and he should have leisure to concert her escape by such means as would completely conceal from the prince his own connivance at her flight.

Edward Bulwer-Lytton
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Calderon the Courtier
David Copperfield